Film kejahatan
Film kejahatan adalah sebuah film yang masuk genre fiksi kejahatan. Film-film dari genre tersebut melibatkan berbagai aspek kejahatan dan fiksi. Dalam hal gaya, genre tersebut tumpang tindih dan terpadu dengan beberapa genre lainnya, seperti drama atau film gangster,[1] selain juga meliputi komedi, dan sebaliknya, terbagi dalam banyak sub-genre, seperti misteri, suspen atau noir.
Penulis naskah dan cendekiawan Eric R. Williams mengidentifikasi film kejahatan sebagai salah satu dari sebelas super-genre dalam Screenwriters Taxonomy, mengklaim bahwa seluruh film naratif berjangka fitur dapat diklasifikasikan oleh super-genre tersebut. Sepuluh super-genre lainnya adalah laga, fantasi, horor, romansa, fiksi ilmiah, potongan kehidupan, olahraga, cerita seru, perang dan barat.[2] Williams mengidentifikasi drama dalam kategori luas yang disebut "jenis film", misteri dan suspen sebagai "makro-genre", dan film noir sebagai "wadah penulis naskah" menjelaskan bahwa karakteri tersebut bersifat tambahan alih-alih eksklusif.[3] Chinatown merupakan contoh film yang merupakan film kejahatan (super-genre) drama (jenis film) yang juga misteri (makro-genre) noir (wadah).
Referensi
- ^ "Metasearch Search Engine". search.com (dalam bahasa Inggris). Diakses tanggal 2019-01-18.
- ^ Williams, Eric R. (2017). The screenwriters taxonomy : a roadmap to collaborative storytelling. New York, NY: Routledge Studies in Media Theory and Practice. ISBN 978-1-315-10864-3. OCLC 993983488. P. 21
- ^ Williams, Eric R. "How to View and Appreciate Great Movies". English (dalam bahasa Inggris). Diakses tanggal 2020-06-07.
Sumber
- Bould, Mark (2013). "Genre, Hybridity, Heterogeneity or the Noir-SF-Vampire-Zombie-Splatter-Romance-Comedy-Action-Thriller Problem". Dalam Spicer, A.; Hanson, H (ed.). A Companion to Film Noir. Blackwell Publishing Ltd. ISBN 9781444336276.
- Clarens, Carlos (1997) [1980]. Crime Movies (Edisi 2). Da Capo Press. ISBN 0306807688.
- Curti, Roberto (2015). Italian Gothic Horror Films, 1957–1969. McFarland & Company. ISBN 978-1-4766-1989-7.
- Hampton, Benjamin B. (1970). A History of the Movies. Covici-Friede Publishers.
- Kaminsky, Stuart M. (1974). American Film Genres. Pflaum Publishing. ISBN 978-0-8278-0277-3.
- Langford, Barry (2005). Film Genre: Hollywood and Beyond. Edinburgh University Press. ISBN 1474470130.
- Lee, Daryl (2014). The Heist Film: Stealing with Style. Wallflower Press. ISBN 978-0-231-16969-1.
- Leitch, Thomas (2004). Crime Films. Cambridge University Press. ISBN 0-521-64106-3.
- Rafter, Nicole Hahn (2006). "Introduction". Dalam Rafter, Nicole (ed.). Shots in the Mirror: Crime Films and Society (Edisi 2nd). Oxford University Press. ISBN 0-19-512982-2.
- Rubin, Martin (1999). Thrillers. Cambridge University Press. ISBN 0-521-58183-4.
- Schatz, Thomas (1981). Hollywood Genres: Formulas, Filmmaking, and the Studio System. Random House. ISBN 0-394-32255-X.
- Silver, Alain; Ursini, James (2020). "Crime and Mass Media". Dalam Rzepka, Charles J.; Horsley, Lee (ed.). A Companion to Crime Fiction. John Wiley & Sons. ISBN 978-1119675778.
- Spina, Ferdinando (2018). "Crime Films". Dalam Rafter, Nicole; Brown, Michelle (ed.). The Oxford Encyclopedia of Crime, Media, and Popular Culture. Oxford University Press. ISBN 9780190494674.
- Selbo, Jule (2014). Film Genre for the Screenwriter. Taylor & Francis. ISBN 978-1-317-69568-4.
- Staiger, Janet (1997). "Hybrid or Inbred: The Purity Hypothesis and Hollywood Genre History". Film Criticism. 22 (1): 5–20. JSTOR 44018896. Diakses tanggal June 18, 2024.
- Todd, Drew (2006). "The History of Crime Films". Dalam Rafter, Nicole (ed.). Shots in the Mirror: Crime Films and Society (Edisi 2nd). Oxford University Press. ISBN 0-19-512982-2.
Bacaan tambahan
- Criminology and Criminal Justice
- Cavender, Gray, and Nancy C. Jurik. "Risky business: Visual representations in corporate crime films." Routledge international handbook of visual criminology (2017): 215–228.
- Hughes, Howard. Crime Wave: The Filmgoers' Guide to the Great Crime Movies (2006) excerpt
- Kadleck, Colleen, and Alexander M. Holsinger. " 'Two Perspectives' on Teaching Crime Films." Journal of criminal justice education 29.2 (2018): 178–197. [1]
- King, Neal, Rayanne Streeter, and Talitha Rose. "Cultural Studies Approaches to the Study of Crime in Film and on Television." Oxford Research Encyclopedia of Criminology and Criminal Justice (2016). online
- Leitch, Thomas M. Crime Films. (Cambridge UP, 2002), ISBN 978-0-521-64671-0
- Lenz, Timothy O. Changing Images of Law in Film and Television Crime Stories (Lang, 2003)
- Lichtenfeld, Eric. Action speaks louder: Violence, spectacle, and the American action movie (Wesleyan University Press, 2007).
- Mayer, Geoff. Historical dictionary of crime films (Scarecrow Press, 2012). online
- Rafter, Nicole. "Crime, film and criminology: Recent sex-crime movies." Theoretical criminology 11.3 (2007): 403–420.
- Rafter, Nicole Hahn, and Michelle Brown. Criminology goes to the movies: Crime theory and popular culture (NYU Press, 2011).
- Ramaeker, Paul. "Realism, revisionism and visual style: The French Connection and the New Hollywood policier." New Review of Film and Television Studies 8.2 (2010): 144–163. online
- Simpson, Philip L. Psycho Paths: Tracking the Serial Killer through Contemporary American Film and Fiction (University of Southern Illinois Press, 2000).
- Sorrento, Matthew. The New American Crime Film (2012) excerpt
- Spina, Ferdinando. "Crime Films". Oxford Research Encyclopedia of Criminology (Oxford University Press, 2017)
- Welsh, Andrew, Thomas Fleming, and Kenneth Dowler. "Constructing crime and justice on film: Meaning and message in cinema." Contemporary Justice Review 14.4 (2011): 457–476. online
Eropa
- Baschiera, Stefano. "European Crime Cinema and the Auteur." European Review 29.5 (2021): 588–600.
- Chibnall, Steve, and Robert Murphy. British crime cinema (Routledge, 2005).
- Davies, Ann. "Can the contemporary crime thriller be Spanish?" Studies in European Cinema 2.3 (2005). online
- Forshaw, Barry. British crime film: Subverting the social order (Springer, 2012).
- Forshaw, Barry. Euro Noir: The Pocket Essential Guide to European Crime Fiction, Film and TV (2014) excerpt
- Gerhards, Sascha. "Ironizing Identity: The German Crime Genre and the Edgar Wallace Production Trend of the 1960s." in Generic Histories of German Cinema: Genre and its Deviations (Camden House, 2013) pp: 133–155.
- Hansen, Kim Toft, Steven Peacock, and Sue Turnbull, eds. European television crime drama and beyond (Cham: Palgrave Macmillan, 2018).
- Marlow-Mann, Alex. "Strategies of Tension: Towards a Reinterpretation of Enzo G. Castellari's The Big Racket and the Italian Crime Film." in Popular Italian Cinema (2013) pp: 133–146.
- Peacock, Steven. Swedish crime fiction: Novel, film, television (Manchester University Press, 2015).
- Reisinger, Deborah Streifford. Crime and media in contemporary France (Purdue University Press, 2007).
- Toft Hansen, Kim, Steven Peacock, and Sue Turnbull. "Down these European mean streets: Contemporary issues in European television crime drama." in European television crime drama and beyond (2018) pp: 1–19. online
- Wilson, David, and Sean O'Sullivan. Images of Incarceration: Representations of Prison in Film and Television (Waterside Press, 2004), British emphasis.